Mompou’s Música Callada (Music without sound) is a work which some critics consider to be his musical testament, a summary of the most personal elements of his musical language. Although each of the 28 pieces has the brevity inherent in his musical language, as a whole the work represents his most ambitious achievement, penetrating to the heart of the ‘mysteries of nature’, but yet not without echoes of popular music. The work is coupled with the world première recordings of two other short works from earlier in the composer’s career.