Composer(s): Brahms, Johannes
Artist(s): Siepmann, Jeremy
Label: Naxos Educational
Genre: Music Education
Period: Romantic
Catalogue No: 8.558030-31
Barcode: 0636943803028
Release Date: 05/2001

Classics Explained: BRAHMS - Piano Concerto No. 2 (Siepmann)

There is perhaps no great piano concerto grander than the Brahms B flat. With the spaciousness of a symphony, the drama of an opera, the intimacy of a lullaby and the intertwining raptures of the greatest love songs, it touches on almost every emotion with extraordinary immediacy and power. Its virtuosity is spell-binding, yet always substantial. But how is it made? How does it grow? What holds it together? Here we explore the music from the inside out, and hear how the mightiest of musical oaks can grow from the smallest of musical acorns.

A series exploring, in words and music, the major classical works of the concert hall. In an accessible and lively manner, Jeremy Siepmann looks at the history and the form of the great masterpieces of western music.

Tracklist

Disc 1
Brahms, Johannes
1 Introduction; opening horn call and piano's answer 01:50
2 Rising three-note scalewise pattern 00:25
3 Quicker, descending six-note 'answer' 00:18
4 Second, answering phrase 00:32
5 First Main Theme completed by orchestra 00:50
6 Peace shattered as piano bursts back in like a tiger 01:24
7 Variant of opening horn call in bass 00:19
8 Orchestra returns; beginning of Exposition proper 02:25
9 Big, 'singing' theme in orchestra; piano 'forgotten' 00:41
10 Call to arms by strings; marshalling of orchestral forces 01:03
11 Piano re-enters fry with massive expansion of opening figure 00:48
12 Piano 'explores' two main facets of opening theme 00:45
13 Transition. sense of key weakened. Piano and orchestra come together 01:07
14 Piano and orchestra 'argue' over speed of thematic three-note rise 00:41
15 Piano and orchestra in friendly dialogue before piano falls away 01:28
16 'Winged' harmonic shadow of pure pianistic tone-colour 00:45
17 New 'transitional' theme from orchestra developed by piano 01:51
18 After indecision and discussion, the mood suddenly turns playful 00:26
19 Reminder of Second Main Theme in its original form 00:43
20 Ttransfomation of Second Main Theme by piano 00:40
21 Piano hijacks orchestra's 'call to arms' 00:43
22 Piano and orchestra, now allies, explore theme, but with piano leading 01:08
23 Dramatic eruption of orchestra leads to the Development section 01:13
24 Pianistic 'tiger' replaced by gentle reflective, soft-spoken poet 00:30
25 Transformed 'tiger' theme amicably shared by piano and orchestra 00:44
26 An apparently new theme - but Battlle Hymn of the Republic? 00:41
27 Brief, downward-driving section prepares for the Recapitulation 00:54
28 On the threshold of the Recapitulation 00:54
29 Recapitulation: The Magical Return 01:06
30 From Gate-crashing Tiger to Celestial Tenderness - and a surprise 01:17
31 And unexpected and portentus change of mood, suggesting tragedy 01:01
32 Summation 00:30
33 First Movement (Complete) 17:16
34 Second Movement: The upward-driving opening gambit, piano alone 00:13
35 Downward-driving answer from lower strings 00:27
36 Theme vs Melody 00:58
37 Eerie, unharmonised, 'white' sound of Second Theme 00:45
38 Second Theme taken up and developed by piano 01:25
39 Expectation and surprise; harmonic fluidity and intensifying drama 01:40
40 Return (and transformation) of Theme Two 00:41
41 Theme One returns in orchestra; Theme Three emerges in major mode 01:00
42 Sequence of fragmentary episodes begins with unexpected fanfare 00:58
43 Variant of Theme Three in piano 00:36
44 Rescored variant of 'fanfare' theme; from grandeur to solemnity 00:21
45 Rhapsodic variant of fanfare, this time for piano alone 00:24
46 Recapitulation of opening, with piano and orchestra reversing roles 01:07
47 Theme Two transformed by new instrumentation 00:36
48 Cue and Second Movement (Complete) 09:23
Disc 2
1 Introduction, cue and First Main Theme 01:53
2 Theme One taken up by strings and solo oboe; piano's entry 01:20
3 Complex variant of Theme One with very different speed and rhythm 00:42
4 Orchestra and piano in mixed variants of Theme One, now intensified 01:10
5 Theme Two, hushed and 'tuneless', with piano, clarinets and strings 01:28
6 Oboe Theme returns, now delicately embroidered by the piano 00:46
7 Cue and Third Movement (Complete) 11:50
8 Finale: Introduction, cue and Main Theme 00:57
9 Violins take up tune, with winds and piano accompanying 00:24
10 Piano introduces Part 2 of the main theme 00:37
11 Part 3 of the theme, led by piano, in 'fiercely' self-confident mood 00:54
12 First Episode, Part 1 00:47
13 First Episode, Part 2 00:23
14 Piano hands theme over to clarinets and bassoons 00:15
15 First Episode, Part 3, in piano, first; then flutes and oboes 00:40
16 Strings and flutes take theme, with bubbling commentary from piano 00:28
17 Tipsy dancers (piano and winds) return, tiring; strings take over 00:38
18 In the central Episode, the orchestra throws down a dramatic challenge 00:28
19 ... to which the piano duly responds with a stormy outburst 00:10
20 Piano kick-starts run-up to final section in a variant of the main theme 00:41
21 Orchestra sets off on jaunty march, later joined by the piano 00:25
22 Piano propels orchestra into final section 00:46
23 Summation and cue to the movement as a whole 00:22
24 Finale (Complete) 09:08

Total Playing Time: 01:44:44