 |
|
|
WEISGALL: T'kiatot / Psalm of the Distant Dove / A Garden Eastward |
Hugo Weisgall, one of the 20th century’s most individualistic and creative composers, united an early affinity for the musical aesthetics of Schoenberg, Berg, and Webern with a lifelong commitment to and fascination with his Jewish heritage. His symphonic masterpiece, T’kiatot, is based on a central section of the traditional Rosh Hashana service in which the shofar (ram’s horn) is sounded three times. The aweinspiring blasts of an actual shofar are set within a richly chromatic orchestral texture to brilliant effect. The song cycle Psalm of the Distant Dove, based on biblical and medieval Hebrew-Spanish poetry, celebrates the mystical, age-old relationship between God and His loving but suffering people Israel, represented by the image of a dove. Also inspired by the Golden Age of Spanish Jewry is A Garden Eastward, one of Weisgall’s most rhapsodic vocal and orchestral conceptions, which the composer once called his “most beautiful work.”
|
|
Weisgall, Hugo

T'kiatot: Rituals for Rosh Hashana
| 1. |
|
I. Malkhuyyot
00:10:30
|
|
| 2. |
|
II. Zikhronot
00:08:02
|
|
| 3. |
|
III. Shofarot
00:07:01
|
|

Psalm of the Distant Dove
| 4. |
|
Prelude: My Lover Called
00:01:20
|
|
| 5. |
|
Days of Cold are Past
00:02:22
|
|
| 6. |
|
Prelude: The Dove Knows Her Mate
00:02:29
|
|
| 9. |
|
Prelude: Birds Struggle
00:02:48
|
|

4 Choral Etudes
| 11. |
|
Yihyu l'ratzon
00:01:53
|
|
| 12. |
|
Hodu ladonai
00:01:56
|
|
| 13. |
|
B'tzet yisrael
00:01:58
|
|

A Garden Eastward
| 17. |
|
III. Free Variations
00:06:28
|
|
|
|
|
|
Total Playing Time: 01:07:39 |
|
|

|
|
|
|
|
|
|
|
|
|
|
|
 |
|
 |