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HOVHANESS, A.: Symphonies Nos. 1, "Exile Symphony" and 50, "Mount St. Helen" (Seattle Symphony, Schwarz)
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HOVHANESS, A.: Symphonies Nos. 1, "Exile Symphony" and 50, "Mount St. Helen" (Seattle Symphony, Schwarz)
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One of the most intriguing and individual of 20th-century American composers, Alan Hovhaness rejected the cosmopolitan modernism of other leading composers of the 1930s and ’40s. The connection Hovhaness felt with his Armenian heritage is evident in his Exile Symphony, which commemorates the flight forced upon those people by the Ottoman Turks after World War I. Delicacy, charm and vitality in the Fantasy on Japanese Woodprints evoke the composer’s love for Japan, and the 1980 eruption of Mount Saint Helens inspired the Symphony No 50, with its remarkable evocation of the violent power and hauntingly mystic beauty of nature in “startlingly realistic engineering” (Gramophone).
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Hovhaness, Alan

Symphony No. 1, Op. 17, No. 2, "Exile Symphony"
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1.
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I. Andante espressivo - Allegro
00:07:24
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3.
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III. Finale: Andante - Presto
00:08:33
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Fantasy on Japanese Woodprints, Op. 211
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4.
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Fantasy on Japanese Woodprints, Op. 211
00:14:20
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Symphony No. 50, Op. 360, "Mount St. Helens"
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6.
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II. Spirit Lake: Allegro
00:07:25
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7.
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III. Volcano: Adagio - Allegro
00:13:56
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Total Playing Time:
01:05:40
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