This dazzling collection of flute music demonstrates the powerful individualism of contemporary Greek composers. It ranges widely, from the dirge that incorporates folk material in Theodore Antoniou’s Lament for Michelle, to the use of ancient Greek modes in Giorgos Couroupos’s Elégie. Dimitri Terzakis employs micro-intervals to sonically fascinating effect in Zwei Märchen, whilst Yannis Ioannidis explores extremes of dynamics and registers in Fragmento II, a powerful example of the vitality and variety to be found in all these compositions.