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Pyotr Ilyich TCHAIKOVSKY (1840- 1893)
Eugene Onegin
Lyrical Scenes in three acts after Alexander Pushkin
Maria Gavrilova, Vladimir Redkin, Nikolay Baskov,
Aik Martirosyan
Orchestra and Chorus of the Bolshoi Theatre,
Stanislav Lykov (Chorus Master), Mark Ermler
Stage Director: Boris Pokrovsky,
Choreography: Yuri Papko
Picture Format: 4:3
Sound Format: PCM Stereo, Dolby Digital 5:1, DTS 5:1
Running Time: 157 mins
Region Code: 0 WW
Booklet Languages: GB, F, D
Subtitles: GB, F, D, SP, IT
Recording Date: 18th October 2000
Cat. No.: DV-OPEON
TDK presents a lavish and naturalistic staging of Eugene Onegin by Peter Ilyich
Tchaikovsky performed in Moscow, the city where the work had its world premiere
on 29 March 1879. In their October 2000 production, the Bolshoi not only adopted
a traditional music theatre approach, they also successfully revived a previous
and popular production premiered in 1944.
A feast of music is spread before the audience for their pure enjoyment. The
gifted singers are so secure in their command of the Russian idiom that the
music's inner content, its lyrismo, is constantly at the fore. Vladimir Redkin
with his profound, glowing baritone takes the title-role, and Maria Gavrilova
sings Tatyana, her soprano gleaming at the top, is almost unequalled for warmth
and radiance. This Eugene Onegin is a sumptuously arrayed feast of singing.
But it is also a feast of good theatre, because it concentrates on the most
important element of the tale it tells; namely the tragedy of the human soul
and its suffering.
The setting and costumes are naturalistic and the drama develops its intensity
primarily from the music and the text. The circumstances are with straightforward
clarity. Eugene Onegin is an opera in "lyric scenes" as it is subtitled.
The tone of the work is "lyrical", emotionally alert; conflicts are
expressed by the intense singing and finely judged gestures of the performers
alone.
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