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ADLER, SAMUEL

Samuel Adler, conductor

In that he has always devoted his gifts to both Judaically related and general musical expression with equal emphasis, SAMUEL ADLER (b. 1928) is a unique phenomenon among those established mainstream American composers whose Jewish identities have informed a part of their art. He has written, and continues to write, prolifically for the Hebrew liturgy (in addition to his numerous non-liturgical Jewish works), and he has been a consistently active participant in the cantorial and Jewish musical infrastructure in America. He enjoys equal acclaim as a conductor and has appeared regularly with leading American and international orchestras.

Adler was born in Mannheim, Germany, in the last years of the optimism and creative fervor of the Weimar Republic. His father, Chaim [Hugo Ch.] Adler, was a highly respected cantor at Mannheim's chief Liberale synagogue, and also an active liturgical composer. Within a year after Reichskristallnacht, in 1938, the family emigrated to America, where the elder Adler obtained a position as cantor in Worcester, Massachusetts. The young Samuel Adler became his father's choir director when he was only thirteen and remained at that post until he began his university studies. During that early period he began composing liturgical settings, and soon developed his own style. At the same time, he benefited from exposure to the full gamut of Ashkenazi synagogue repertoire - particularly from the western and Central European schools of the 19th and 20th centuries.

Adler holds degrees from Boston University (B.M.) and Harvard (M.A.). He studied composition with Aaron Copland, Paul Hindemith, Walter Piston, Hugo Norden, and Randall Thompson, and conducting with Serge Koussevitzky. Following his discharge from the United States Army, he was appointed music director of Temple Emanu-El in Dallas, a position he held from 1953 until 1966. After leaving Dallas to become professor of composition (later chairman of the department) at the Eastman School of Music, in Rochester, New York, Adler continued to devote considerable attention to composing both for the synagogue and for Jewish secular subjects and texts. His opera includes more than 400 works in nearly all media, some of them related to biblical and other Jewish historical subjects, and others that deal specifically with the American Jewish experience. Adler has served on the faculty of The Juilliard School since 1997, while remaining professor emeritus at Eastman.




ADLER: Symphony No. 5 / Nuptial Scene / The Binding 8.559415
BERNSTEIN: Jewish Legacy (A) 8.559407
DIAMOND: Ahava / Music for Prayer 8.559412
HANUKKA CELEBRATION (A) 8.559410
HELFMAN: Di Naye Hagode 8.559440
IN CELEBRATION OF ISRAEL 8.559461
JACOBI: Cello Concerto / Hagiographa / Sabbath Evening Service 8.559434
PSALMS OF JOY AND SORROW 8.559445
ZAIMONT: Sacred Service for the Sabbath Evening (excerpts) / A Tale of Abram and Isaac 8.559444




 
 
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8:56:55 PM, 12 May 2008
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