- Giacomo Puccini. Opera in three acts. 1910.
- Libretto by Guelfo Civinini and Carl Zangarini, after the play The Girl of the
Golden West by David Belasco.
- First performance at the Metropolitan Opera House, New York, on 10th December 1910.
CHARACTERS
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| Minnie | soprano |
| Jack Rance, sheriff | baritone |
| Dick Johnson (Ramerrez), a bandit | tenor |
| Nick, bar-tender at The Polka saloon | tenor |
| Ashby, agent of Wells Fargo | bass |
| Miners |
| Sonora | baritone |
| Trin | tenor |
| Sid | baritone |
| Bello (Handsome) | baritone |
| Harry | tenor |
| Joe | tenor |
| Happy | baritone |
| Larkens | bass |
| Billy Jackrabbit, a Red Indian | bass |
| Wowkle, his squaw | mezzo-soprano |
| Jake Wallace, a travelling minstrel | baritone |
| José Castro, one of Ramerrez's band | bass |
| Courier | tenor |
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Minnie, at The Polka saloon, is respected and in her turn helpful to the rough clientele of the bar,
miners who drink and gamble. Posters advertise a reward for the capture of the wanted bandit
Ramerrez. Jack Rance, the sheriff is in love with her and is rough with Dick Johnson, who now
comes into the bar, recognised and vouched for by Minnie. Ramerrez, alias Dick Johnson, has been
betrayed by a former mistress, but now a bandit attack on the camp is planned. Later in the evening
Johnson visits Minnie's hut, to eat there and sleep there for the night. When a group of men come
to see if she is safe, they show her the picture of Ramerrez, now identified as Johnson, who has
hidden at their arrival. Leaving, he is shot, but staggers in again and is hidden in the loft by Minnie,
who denies his presence to Rance. Johnson's presence is revealed by drops of blood and now
Minnie gambles with Rance, her love against Johnson's life, cheating to win the game. In the third
act Johnson is caught and is about to be hanged when Minnie intervenes, successfully begging his
life and freedom, and finally leaving together with him.
American elements serve to create the scene in California, with elaborate instrumentation.
Minnie evocatively recalls her happy childhood in Laggiù nel Soledad (Down there in Soledad)
while Johnson pleads to his captors not to tell Minnie of his coming death in Ch'ella mi creda libero
e lontano (So that she may think me free and far away).
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