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NA311212 - JAMES: Wings of the Dove (The)
THE WINGS OF THE DOVE
Henry James (1843-1916) was born in New Work, the son of Henry James senior, a distinguished American philosopher. He was given a liberal education which included prolonged visits to Europe, and when he left Harvard he felt compelled to leave America for Europe, a continent which for him offered a maturity and sophistication which he felt was missing in his homeland and which, in his view, was crucial for the nurturing of the highest form of literature. He lived in Italy, France and Britain, but in 1876 he settled permanently in Britain, and in 1915 he became a British citizen.
Henry James’s life spanned a time of vast literary change. He was born into the age of romanticism when Wordsworth was Poet Laureate, and yet by the time he died he was very much a twentieth century writer and, stylistically, was anticipating the modernist movement.
Henry James wrote twenty-one novels which fall broadly into three phases. The first is characterized by Roderick Hudson (1876). The book deals with themes that were to preoccupy James for the whole of his career: the impact of a sophisticated European ethos on a naïve American, and the insidious nature of evil. It was written as a traditional narrative with a certain picturesqueness of style. The second phase, and in the view of many critics his most accomplished, is best characterized by The Portrait of a Lady. The same themes are in play but stylistically James shows a maturity and complexity of style which combine observable events with inward experience.
For a time James tried his hand as a playwright, but the interior nature of his writing was not suited to the demands of theatre. In 1895 one of his plays, Guy Donville, failed so miserably that he determined to give up writing for the theatre and to use what he had learnt to strengthen his novels.
It is to this third phase of writing that The Wings of the Dive (1902) belongs, together with The Ambassadors (1903) and The Golden Bowl (1904). Now James began to experiment with a much more labyrinthine style. He tried to express thoughts which are seldom precise, and to investigate motives which are often ambiguous, even to the protagonists. His sentences became longer, with more and more reservations and qualifications. James often dictated his work and therefore wrote as he spoke, with complex extenuated sentences. Thomas Hardy called them ‘infinite sentences’; this would suggest a baggy superfluity, but in fact James was aiming for a ‘deep breathing economy’.
In The Wings of the Dove James deals with his traditional themes. The wealthy, naïve American, Milly, is used and manipulated by Kate Croy and her vacillating lover, Merton Densher. But their duplicity is subtle, not always really understood even by themselves, and the novel deals primarily with the power of self-deception and the insidious nature of materialism. James’s great skill was in moral, spatial, temporal or psychological. This can at times make for a challenging read, but the end result is a book of profound insight into the human psyche.
Notes by Heather Godwin
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