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Outhere Distribution France, filiale du groupe Outhere Music a lancé en mai dernier la distribution de ses propres labels et de quelques labels partenaires. Notre catalogue compte aujourd’hui près de 15.000 références.

Cette initiative est le reflet de l’engagement d’Outhere Distribution envers les détaillants spécialisés, les grossistes, les commerçants sur internet, les labels et les médias, actifs sur le territoire Français. C’est aussi le moyen pour Outhere Distribution de réaffirmer, qu’aux côtés des enjeux essentiels de la diffusion digitale, le produit physique demeure un objet de grande valeur artistique et un vecteur incontournable de la consommation de musique dans les prochaines années. L’évolution complexe du marché de la musique enregistrée implique une approche spécifique et qualitative des détaillants et des consommateurs, de plus en plus exigeants.

L’équipe commerciale et marketing d’Outhere Distribution France est basée à Paris, ce qui garantit la proximité de nos services à la clientèle Française. Cela donne aussi l’opportunité aux labels intéressés par notre structure commerciale et notre département promotion, de dialoguer avec un distributeur en phase avec la réalité du marché Français. La logistique est quant elle assurée par Naxos Global Logistics à Munich.


LALO, É.: Symphonie espagnole / MANÉN, J.: Violin Concerto No. 1
Édouard LALO (1823–1892)
Symphonie espagnole

Juan MANÉN (1883–1971)
Concierto español

Tianwa Yang, Violin • Barcelona Symphony Orchestra
Darrell Ang

Naxos 8.573067

These two concertos – one a staple of the repertoire, the other almost unknown – share melodic richness and a Spanish influence. Lalo’s Symphonie espagnole reflects the quicksilver technique of its dedicatee, Pablo de Sarasate, in its ingenious and virtuosic passagework, with its moods and rhythms indelibly Iberian in feel. Joan Manén, in his day almost as famous as his fellow Catalan Pau Casals, was an admired virtuoso violinist and a prominent composer. His Concierto español, the first of three violin concertos, is suffused with technical demands, lyric warmth, and rhapsodic nostalgia. Soloist Tianwa Yang’s Sarasate recordings have received international acclaim.


MAHLER, G.: Lied von der Erde (Das) / Lieder eines fahrenden Gesellen (arr. A. Schoenberg)
Gustav MAHLER (1860–1911)
Lieder eines fahrenden Gesellen1
Das Lied von der Erde2
arr. Arnold Schoenberg (1874–1951)

Susan Platts, Mezzo-Soprano2 • Charles Reid, Tenor2
Roderick Williams, Baritone1 • Attacca Quartet
Virginia Arts Festival Chamber Players • JoAnn Falletta

Naxos 8.573536

Arnold Schoenberg founded the Society for Private Musical Performances in 1918 to perform contemporary music from ‘Mahler to the present ’. Mahler had been an early supporter of Schoenberg’s music, and Schoenberg repaid the favour by arranging Mahler’s orchestral works for chamber ensemble and including them at the society’s concerts. The colourful Lieder eines fahrenden Gesellen are given a feel of great intimacy in this form, while the lighter scoring of Das Lied von der Erde has the advantage of clarifying instrumental textures, its magical effects capturing ‘the finite nature of earthly things’.


DANIELPOUR, R.: Songs of Solitude / War Songs / Toward the Splendid City
Richard DANIELPOUR (b. 1956)
Songs of Solitude†* • War Songs†*
Toward the Splendid City

Thomas Hampson, Baritone*
Nashville Symphony Orchestra
Giancarlo Guerrero

Naxos 8.559792


Acclaimed as one of America’s leading contemporary composers, Richard Danielpour wrote Songs of Solitude as a response to the events of 9/11. Drawing on the poems of W.B. Yeats, the work enshrines a sense of economy and sparseness, formed of a set of six powerful orchestral songs. The motivating force for War Songs was a series of photographs of the young men and women killed in the Iraq War. The song cycle, with its texts by Walt Whitman, was written for the Nashville Symphony to commemorate the 150th anniversary of the end of the Civil War. Toward the Splendid City is a portrait of New York City driven by Danielpour’s love-hate relationship with his hometown.


HAYDN, J.: String Quartets Nos. 1, 29 and 66
Franz Joseph HAYDN (1732–1809)
String Quartets
Op. 1, No. 1 • Op. 33, No. 5 • Op. 77, No. 1

Goldmund Quartet –
Florian Schötz, Violin I • Pinchas Adt, Violin II
Christoph Vandory, Viola • Raphael Paratore, Cello

Naxos 8.573701

Joseph Haydn claimed to have discovered the string quartet form by accident. His Op. 1, No. 1 has the cheerful five-movement form of a Divertimento, while the glorious and harmonically daring Op. 77, No. 1 was among the last he completed in the genre. Falling between the two, Op. 33, No. 5 is full of rhythmic surprises and a theme that gives it the nickname ‘How do you do?’ The award-winning Goldmund Quartet is considered one of today’s most exciting young European string quartets.


SCHULHOFF, E.: Chamber Music - String Sextet / Violin Sonata No. 2 / Duo for Violin and Cello / 5 Études de jazz
Erwin SCHULHOFF (1894–1942)
Chamber Music
String Sextet1 • Violin Sonata No. 22
Duo3 • Cinq Études de jazz4

Spectrum Concerts Berlin – Boris Brovtsyn1,2, Valeriy Sokolov1,3, Violins • Philip Dukes1, Maxim Rysanov1, Violas
Jens Peter Maintz1,3, Torleif Thedéen1, Cellos
Eldar Nebolsin, Piano2,4

Naxos 8.573525

The music of the Prague-born prodigy Erwin Schulhoff has become increasingly popular in recent decades. He moved through successive creative phases and, on this recording, Spectrum Concerts Berlin focuses on music written between 1924 and 1927. The Cinq Études de jazz explore the “rhythmic intoxication” he described in a letter to Alban Berg, while the Duo for violin and cello and the Violin Sonata No. 2 offer striking parallels to similar works by Bartók, Kodály, and Debussy. The String Sextet contains violent contrasts and almost Cubist montage and was a key work in Schulhoff’s artistic development.


FAIROUZ, M.: Zabur
Mohammed FAIROUZ (b. 1985)

Dann Coakwell, Tenor • Michael Kelly, Baritone
Indianapolis Children’s Choir
Indianapolis Symphonic Choir and Symphony Orchestra
Eric Stark

Naxos 8.559803

Hailed by The New York Times as ‘an important new artistic voice’ and by Gramophone as ‘a post-millennial Schubert,’ Mohammed Fairouz is one of the most significant composers of vocal music of our time. His oratorio Zabur (Arabic for ‘psalms’) is a kind of war requiem documenting a conflict’s effects on human beings, most notably children. Though cast in a contemporary setting, in a city under siege, Fairouz evokes a timeless world, acknowledging tragedy while asserting an eternal, luminous hope that transcends the disastrous present.


WEINBERG, M.: Symphony No. 17 / Suite for Orchestra
Mieczysław WEINBERG (1919–1996)
Symphony No. 17, ‘Memory’
Suite for Orchestra

Siberian State Symphony Orchestra • Vladimir Lande
Naxos 8.573565


One of the most significant projects of Mieczysław Weinberg’s later years was his symphonic trilogy On the Threshold of War. Symphony No. 17, which bears the dedication ‘In memory of the fallen in the Great Patriotic War’, is the largest-scale of the three and a probing work of considerable depth and unforgettable power. Symphonies Nos. 18 and 19 can be heard on Naxos 8.573190 and 8.572752. With its eloquent themes and ready climaxes, the Suite is one of Weinberg’s most intriguing scores to have survived the difficult early 1950s. This performance is thought to be both the first of the work and the first recording.


My First Classical Albums (9-CD Box Set)

Naxos 8.509003 [9-CD Boxed Set]

The ‘My First’ album series from Naxos is the ideal springboard for a lifelong journey through classical music. Each selection is carefully tailored for younger listeners and includes famous tracks as well as unexpected gems. The booklet is full of information on every piece of music. Unique and imaginative, these CDs will open a door to a wonderful world that children and parents can discover together.


Straight from the Heart – The Chansonnier Cordiforme
Ensemble Leones • Marc Lewon
Naxos 8.573325

The Chansonnier Cordiforme is a songbook, probably copied in 1475 for a roguish but musically cultivated priest named Jean de Montchenu – a contemporary chronicler called him ‘dissolute and full of all the vices’. The beautiful manuscript containing 43 songs is, uniquely, heart-shaped and covered in velvet. This recording presents both a representative cross-section of the manuscript’s repertoire, the majority of which is set to French texts and is among the best known and beautiful of the age, and a portfolio of differing performance options including instruments. In addition to works by such luminaries as Gilles Binchois and Johannes Ockeghem – music of elegant melody, textural refinement, and sometimes startling harmonic turns – there are ingenious and anonymous parodies of popular songs.



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