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Select Music named as Best Distribution Company 2010 and 2011
by Independent Classical Specialists
DECEMBER 2016

Naxos Featured CDs


DONIZETTI, G. / MAYR, J.S.: Missa di Gloria and Credo in D Major
8.573605



Gaetano DONIZETTI (1797–1848)
Johann Simon MAYR (1763–1845)
Messa di Gloria and Credo in D

Siri Karoline Thornhill • Marie-Sophie Pollak, Sopranos
Marie-Sande Papenmeyer, Alto • Mark Adler, Tenor
Martin Berner, Bass • Simon Mayr Choir
Members of the Bavarian State Opera Chorus
Concerto de Bassus • Theona Gubba-Chkheidze, Concertmaster
Franz Hauk
Listen to TRACK 2:
Gloria in excelsis Deo


While the German tradition observes a strict distinction between sacred and secular styles, the 19th-century Italian Mass can feel more akin to attending an operatic performance. Donizetti’s church music, consisting of at least a hundred items, has hardly been explored. Individual movements were often later recycled by the composer, in cantata-like fashion, to form a complete Mass, and it is this ad hoc technique that Franz Hauk has used to create a new work, the Messa di Gloria and Credo in D. This includes an expansive Qui sedes with its violin solo written for the famous violinist-composer Pietro Rovelli, and is completed with movements by Johann Simon Mayr from whom Donizetti learned his compositional craft in settings of sacred texts.

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TISHCHENKO, B.I.: Symphony No. 8 / Concerto for Violin, Piano and String Orchestra
8.573343


Boris Ivanovich TISHCHENKO (1939–2010)
Symphony No. 8
Concerto for Violin, Piano and String Orchestra1
Three Songs to Poems of Marina Tsvetayeva2

Mila Shkirtil, Mezzo-Soprano2
Chingiz Osmanov, Violin1
Nikolai Mazhara, Piano1
St Petersburg State Symphony Orchestra
Yuri Serov

Listen to TRACK 2:
Concerto for violin, piano and string orchestra


Boris Tishchenko was one of the most recognisable and important Russian composers of his time. His studies with Shostakovich – whose mantle as Russia’s leading symphonist he assumed after his teacher’s death in 1975 – proved decisive. Symphony No. 8, one of his last completed works, was written to be performed immediately after Schubert’s ‘Unfinished’ Symphony to which it makes reference. The Concerto for Violin, Piano and String Orchestra is rich in emotional depth, lyricism and dance rhythms while Three Songs to Poems by Marina Tsvetayeva intriguingly fuses popular song with Russian romance.

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CIMAROSA, D.: Overtures, Vol. 5
8.573568


Domenico CIMAROSA (1749–1801)
Overtures, Vol. 5
Atene edificata • Componimento drammatico
La bella Greca • Il marito disperato

Czech Chamber Philharmonic Orchestra Pardubice
Patrick Gallois

Listen to TRACK 2:
Atene edificata


Domenico Cimarosa was one of the last great exponents of the ‘Neapolitan School’ and one of the most famous and successful composers before the arrival of Rossini on the European opera scene. His works were produced and re-staged at innumerable performances in opera houses all over Europe. This programme represents the extraordinary range of Cimarosa’s career, from Le trame deluse (The Foiled Schemes) and La villana riconosciuta (The Country Girl Revealed), which were among his greatest hits, to overtures from cantatas such as Atene edificata (The Founding of Athens) and the ‘dramatic composition’ for Cardinal de Bernis, written on the occasion of the birth of the Dauphin, the firstborn son of Louis XVI.

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Final Volume
TANEYEV, S.I.: String Quartets (Complete), Vol. 5
8.573671


Sergey Ivanovich TANEYEV (1856–1915)
Complete String Quartets, Vol. 5
String Quartet No. 8 in A major
String Quintet No. 2 in C major, Op. 16*

Carpe Diem String Quartet
James Buswell, Viola*

Listen to TRACK 4:
String Quartet No. 8 in A major


This is the fifth and final volume of Carpe Diem’s highly acclaimed cyle of Taneyev’s nine complete string quartets which are notable not only for the composer’s famed meticulous craftsmanship but for their attractive lyrical sweep. Infused with the spirit of Haydn and Mozart, the harmonically adventurous Eighth Quartet includes a beautiful and romantic Adagio. The Second String Quintet is a monumental work in every sense, standing firmly alongside the later quartets.

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