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ALESSANDRO SVAB Alessandro Svab
After making his debut in Rimsky-Korsakov's Mozart e
Salieri in Trieste, the career of the bass Alessandro Svab took him to
Florence with Mozart's Le nozze di Figaro, Ferrara with Don Giovanni and
Pisa with Rossini's La Cenerentola. He then won the 'XXV Toti Dal Monte'
with his Conte Rodolfo in Bellini's La sonnambula in Treviso, Rovigo and Ravenna. Since then he has appeared in major venues, including La Scala in Milan with Spontini's La vestale and Donizetti's Lucrezia Borgia. The first
Italian Nick Shadow in the original version of Stravinsky's The Rake's
Progress in Turin, he has performed in Puccini's Gianni Schicchi in
Lausanne and Le nozze di Figaro at the Theatre des Champs-Elysees. He
also sang in Puccini's Tosca and Verdi's Alzira and La forza del destino in Parma, and in Verdi's Rigoletto, Puccini's Madama Butterfly and
Honegger's Jeanne d'Arc au bucher in Palermo. Previously at Wexford he
was Don Pinto in Weber / Mahler's Die drei Pintos (Naxos 8.660142-43).
Other engagements include Monteverdi's Il ritorno di Ulisse in patria in
Berlin, Verdi's I vespri siciliani in Palermo, Un ballo in maschera in
Catania and Ernani in Parma. Concert performances include Beethoven's Symphony
No. 9, Rossini's Petite Messe Solennelle, Shostakovich's Symphony
No. 14, Schubert's Mass in G major, Puccini's Messa di Gloria,
Mozart's Coronation Mass, Mendelssohn's Die erste Walpurgisnacht,
Stravinsky's Pulcinella and Dvorak's Stabat Mater.
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Role: Classical Artist
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