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(1859 - 1953)

Arnold Perlmutter who had been Goldfadens orchestrator and take-down song notator, and who also wrote incidental music to purely spoken plays. This symbiotically productive Perlmutter and Wohl duo, a recognized team as early as 1903, eventually became a ubiquitous fi xture of Second Avenueworking at first with the playwright Moshe Hurwitz and then with numerous lyricists and librettists. They wrote their own lyrics as well. Among their most celebrated operettas is Dos pintele yid (The Essence of Being a Jew). After the 1920s, their teamwork diminished, and each reverted to solo writing
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