CARL DITTERS VON DITTERSDORF  

Dittersdorf had composition lessons from Giuseppe Bonno in his native Vienna and served as a violinist in the orchestra of the Prince of Sachsen-Hildburghausen, followed by a position in the imperial theatre. There followed a period as Kapellmeister to the Bishop of Grosswardein, where, in 1762, he succeeded Michael Haydn. In 1769 he became Kapellmeister to the Prince-Bishop of Breslau, at this period acquiring the patent of nobility that added to the name of Ditters the honorific von Dittersdorf. Conditions in Johannisberg, the seat of the Prince-Bishop, deteriorated in the political circumstances of the time, and on the death of his employer in 1795, he moved with his family to join the household of a nobleman in Bohemia.

Stage Works

Dittersdorf wrote a large number of stage works. The earlier Italian works written for Johannisberg were followed by a series of Singspiel primarily for Vienna, and eleven further such works in 1793 and 1794 for Duke Friedrich-August of Brunswick-Oels. These, all in all, mark an important stage in the development of the form.

Vocal and Choral Music

Dittersdorf made his due contribution to oratorio in four such works. He wrote settings of the Mass and other liturgical works, as well as cantatas and arias for church use. His secular vocal works are few.

Orchestral Music

In orchestral music Dittersdorf may be compared in some respects to his near contemporary Joseph Haydn. His 120 listed symphonies include a set of six giving musical expression to the Metamorphoses of Ovid and another 'nel gusto di 5 nazioni' (in the taste of five nations). His concertos, rather less in number, include eighteen for violin, five for viola, one for cello and one for double bass, as well as a double concerto for viola and double bass.

Chamber Music

The chamber music of Dittersdorf, with all the clarity of classical style, includes string quartets and quintets, divertimenti and compositions for groups of wind instruments.