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Steven Ritter
Audiophile Audition, January 2013

Both Florian Boesch and Sophie Klußmann, the two primary singers, have outstanding voices and are also very convincing actors as well, especially the young Klußmann, who sings with authority and passion…

Malkovich and company do as well with the material as anyone can, and the whole thing is caught in excellent video and very good if not quite state-of-the-art audio. The live Viennese audience seems to like it as well…very interesting, and often enthralling. © 2013 Audiophile Audition Read complete review



Ionarts, May 2012

STURMINGER, M.: Infernal Comedy (The) (Malkovich) (Ronacher Theater, 2009) (NTSC) 101517
STURMINGER, M.: Giacomo Variations (The) [Opera] (Ronacher Theater, 2011) (NTSC) 101570

“Sposa son disprezzata” (Vivaldi, Ottone in Villa) “Berenice, che fai” (from Haydn’s dramatic cantata Scena di Berenice), Carl Maria von Weber’s patchwork aria for an Étienne Méhul opera, “Ah, se Edmundo fosse l’uccisor” are all magnificent to hear, and Martene Grimson—one of the two sopranos that are part of the play—was delectable in Vivaldi and Weber and Beethoven’s “Ah perfido!”. Sophie Klußmann, substituting for the other soprano of the cast, managed her vocal and scenic duties admirably, too…The scraggy, committed Vienna Academy Orchestra was a delight, buzzing through the music with a transparency that brought out voices within the music that are all too often hidden by smooth homophony.

Most of the audience seemed sufficiently engrossed with these “confessions of a serial killer”: drawn in by the enigmatic presence of Malkovich’s creepy predator and entertained by terrific music. © 2012 Ionarts Read complete review






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1:01:28 PM, 20 October 2014
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