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Gramophone, April 2010

The Concerto’s first broadcast performance, and a telling opportunity to hear the earliest impressions of a new work—in its original form—in a reading buy its dedicatee.

Penguin Guide, January 2009

Koussevitzky’s 1943 performance challenges his players to the very limit, as in the hectic account of the Tuileries movement, though, sadly, Koussevitzky omits the two most evocative movements, the Old Castle and Bydlo (the Polish ox-cart), together with the Promenades that frame them.

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