The technical accomplishment of Kliegel’s playing is balanced by a richness of musical insight that won’t disappoint. The boldness of the opening soliloquy recalls du Pré at her finest, and yet Kliegel shares a yet deeper cup of grief in the world-weariness of the main first subject, carried with noble conviction. She takes a more improvisatory view in the lilting second group than du Pré. © 2015 Gramophone Read complete review on Gramophone
"You will be hard pressed to find a rival recording as persuasive as this."
"Her playing has great virtuosity, but it is her phrasing especially in the Elgar, which suggests a great musical intelligence"
"She has a warm tone which matches the beautifully balanced orchestral sounds produced by the Naxos engineers"
"Maria Kliegel ma nadherny plny ton, hraje s expresivni vervou, technicky suverenne (Maria Kliegel, has a beautiful sonorous tone, plays with expressive verve, technically masterfully)"
"In Maria Kliegel's beautiful cello tone I perceive the intimacy of the human voice and soul"
"This new recording of two of the most famous concertos for cello is another winner"
"a quite outstanding performance of the Elgar concerto"