Håkan Austbø has excellent credentials in this repertoire. His is an individual view, with a wider range of tempi and dynamic than Loriod. His account of the opening Regard du père and the later Regard du fils sur le fils is paced much more slowly, but his playing has great concentration and evocative feeling so that he readily carries the slower tempo, and in Par lui tout a été fait articulation is bolder, giving the music a stronger profile, helped by the clearer, Naxos digital focus. This is undoubtedly a performance that grips the listener and can be strongly recommended as an alternative view.
This is one of the finest sets of Vingt Regards available : Austbo can be hypnotic with his rhythmic control of these very difficult pieces, but he is not a show off either, and his slow phrases 'breathe' very naturally and patiently.