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Penguin Guide, January 2009

The three symphonies dating from the early 1780s make an attractive group, characteristically lively in outer movements but each with slow movements involving the use of mysterious muted strings. Müller-Brühl, as in his other Haydn recordings, favours broad adagios and Minuets that retain the idea of a stately dance. Yet the freshness and rhythmic resilience never fail to bring the performances to life. Like its companions, an excellent recommendation.

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