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Olivier Opdebeeck
Diapason, September 2001

Les Voix Humaines portent bien leur nom. Rarement instruments n’ont paru plus proches des inflexions de la parole que ces deux venerables violes de gambe. Mais si la sonorite des instruments est fascinante, c’est surtout la maniere des faire parler qui suscite l’admiration…

Schenck avait deja connu par le passe les honneurs du disque. Mais nos Voix Humaines, par leurs qualites expressives et la rigueur de leur approche, apportent une pierre essentielle a un portrait que l’on aimerait bien voir se preciser grace a l’exploration systematique des œuvres du maitre.

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1:58:34 AM, 11 February 2016
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