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Lawrence Hansen
American Record Guide, April 2002

"...It's an exciting performance, and Batiz elicits a good bit of fire from the Philharmonia. For this re-issue... Naxos has grafted on Mr Cribbins's reading of four episodes from the Tales of the Arabian Nights. While very well read and entertaining (at least to somebody like me who still enjoys reading to others and being read to), they don't add anything to the musical experience, and Naxos has obligingly set up the tracks sequence so you can just program out the talking."



John Leeman
MusicWeb International, December 2001

"Look at the cover of this disc and you can see there is no mention of the title of the musical work on which it is based. Rimsky-Korsakov’s symphonic suite Sheherazade, inspired by 'Tales of Arabian Nights', was not intended to be performed with spoken commentary. This is no Peter and the Wolf. Yet Naxos have chosen to market the disc on the strength of verbal story telling potential.

Bearing this in mind I will start with the commentary which takes up well over half the disc time-wise. The four stories that are told before each movement are chosen according to a programme that Rimsky-Korsakov was persuaded to release for an early performance. He regretted this later because, as he explains in his memoirs, the music was composed with the Arabian Nights’ general atmosphere of exotic fairy-tale in mind rather than any particular story. Having said that, he did make specific reference to Sinbad the Sailor and the sea, and the recurring solo violin intentionally represents Sheherazade as the story teller. On the disc there is an introduction that sets the scene and explains the threatening circumstances that surround the telling of the tales.

I have never enjoyed a performance of Sheherazade so much. The reason being that the commentary effectively sucked me into the fairy tale world that Rimsky-Korsakov intended I should go. It felt like a regression to childhood but the experience was none the worse for that. I like Bernard Cribbins' rendering very much. It is a no-nonsense approach that can generate tension where necessary without any histrionics, nor, I am glad to say, any thespian-style over exaggerated diction which is often the plague of this kind of accompaniment. Thank goodness Ian Richardson isn’t doing it.

As for the music, the Philharmonia is in crack world-class form both collectively and individually in a work that abounds in instrumental solos...this is a performance (including David Nolan’s excellent extended violin solos) to compare with any and has sound to match.

If you just want it for the music you can cue the disc accordingly. If you want to regress into the faraway, fairy tale land of the Arabian Nights with words and music then Bernard Cribbins is your man."






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6:23:04 AM, 14 July 2014
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