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Oleg Ledeniov
MusicWeb International, August 2012

A child prodigy turned concert pianist, composer, conductor and teacher, Cervantes studied in Paris, but thereafter his life was centred on Cuba. This set of Danzas Cubanas is his best-known work. It can be heard as a collection of Latin ragtime, ranging from jazzy to lyrical, from humorous to deeply emotional. Certainly the habanera, this most famous of the Cuban dances, was the seed of the tango—so this is the proto-tango, which would eventually lead to the sweet creations of Carlos Gardel—think of Mi Buenos Aires querido, or Por una cabeza. Also, you might recognize echoes of the witty piano music of Louis Moreau Gottschalk.

The numbers are sensual, sentimental, even melodramatic, but one thing they are not is boring. This is light music without pretence, but light as Chopin’s mazurkas or Schubert’s waltzes are: predictable yet inventive. It’s like attending a Cuban Schubertiade! The music is built on quite standard moves, and each piece has a standard structure of two 16-bar sections. The rhythms are infectious; even the title Danzas cubanas (say it aloud!) sets a torn, swaying rhythm. The sunny, carefree atmosphere of La Isla Grande rules. The ordering of the pieces sustains the interest throughout; this is not one of those collections where the most attractive numbers go at the beginning and end, and the middle stows all the boring rest!

I doubt that many of these melodies will sink into your heart forever, but all are good while they last. The names of the pieces are colorful and descriptive: Yes, forever; It has to be; Weep no more; Cold showers; Don’t touch me and so on. Knowing the name often gives a new view on the music. The names set up the plot; the music becomes like an accompaniment to a silent movie.

The playing is idiomatic, embossed, aristocratic and well-judged. The pianist excellently conveys the smile in the music and the subtle humor of the composer. You’ll feel the sadness of Farewell to Cuba, the wit of Cri-cri (Rustling of Petticoats), the reluctance of Decision, the serenity of Amen. Spiritual union is almost a romance by Tchaikovsky. The playing is well articulated and expressive without overloading.

All in all, I find this an excellent background disc, as cheering as a good tropical cocktail but this is not a disc for concentrated listening, at least not for its entire length. © 2012 MusicWeb International Read complete review



Brian Reinhart
MusicWeb International, April 2012

If you like the piano music of Louis Moreau Gottschalk or Ernesto Nazareth, you’ll love hearing this.

It’s all a lot of merry fun, and Álvaro Cendoya is a marvelous caretaker for the (very rare) music, with a cheerful disposition and the ability to bring out all the diversity and complexity of the Afro-Caribbean rhythms. This may be an album of trifles, but it’s a lovely one at that, and comes with a quality booklet note, excellent clear sound, computer database info which supplies multiple translations for some tracks, and one of my very favorite Naxos cover designs…It’s not exactly Chopin, then, or even Moszkowski, but a good time will be had by all. © 2012 MusicWeb International Read complete review






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3:00:41 AM, 19 April 2014
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