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Christophe Huss
Le Devoir, October 2012

La couverture accroche sur le titre Concerto pour orchestre et l’image représente un canon, mais de ces trois premières mondiales, c’est la Suite op. 13 qui est renversante. Hommage à Mahler, dont Casella (1883–1947) dirigea la musique, cette oeuvre culmine dans une bourrée finale qui entremêle la 4e Symphonie du compositeur morave et la 3e Symphonie de Sibelius. Inattendu et subjugant. © 2012 Le Devoir




Michel Fleury
Classica
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Fran├žois Laurent
Diapason
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