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Victor Carr Jr, November 2012

Dausgaard takes both inner movements at quickish tempos, especially the March-Scherzo, which is quite stimulating…Dausgaard makes the cold, spare playing style sound curiously appropriate for Tchaikovsky’s great lament—until the climax, where the barely audible strings have us wishing there were more of them. Even so, Dausgaard’s is one of the more involving and compelling Tchaikovsky Pathétiques in recent years.

…enjoy the stirring, well-recorded Pathétique performance. © 2012 Read complete review

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