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Carrie
AudioGals, December 2012

Clare Wille’s narration of Gaskell’s enduring story of love and struggles in industrial England is a rare treat. Gaskell’s beautiful language and emotional story-telling coupled with Wille’s perfect narration is truly not to be missed. © 2012 AudioGals Read complete review



Laurel Ann
AustenProse, September 2010

First published as a magazine serial of twenty-two installments in Household Words edited by her mentor Charles Dickens, North and South was later expanded by Mrs. Gaskell into the format we know today and publish in book format in 1855. The story explores some of Gaskell’s favorite topics: social division and class struggles, religious faith and doubt, and the changing landscape of mid-Victorian England from an agricultural nation to industrial giant. Interlaced in these conflicts are genuine characters as passionate in their social convictions as they are in their quest for understanding and love.

Opening with the wedding of her vivacious cousin Edith Shaw to Captain Lennox, our nineteen year-old heroine Miss Margaret Hale is at an important juncture in her life. Raised in London by her wealthy Aunt Shaw, her duties as companion to her cousin are now over and she returns to her family as an educated and sophisticated young lady. Her parents live in Helstone, an idyllic rural Hampshire village where her father is the local Church of England minister and her mother a former county belle. Higher born than her husband she married for love against her family’s wishes. They lead a comfortable, but frugal life until her father’s decision to leave the church on principal; uprooting his family to the only opportunity available to them. His former Oxford tutor Mr Bell has connections in Milton-Northern, an industrial city of cotton mills and coal smoke in the north of England, a far cry from the comforts, sunny climes and verdant countryside of the south in Hampshire. On the same day of Margaret’s fathers shocking announcement, Henry Lennox a young lawyer and brother of Edith’s husband visits the Hales in Helstone with the objective of proposing marriage to Margaret. Because she feels no affection other than friendship for him, his offer is rejected.

Margaret: ‘I have never thought of—you, but as a friend. I like to think of you so; but I am sure I could never think of you as anything else. Pray, let us both forget that all this’ (‘disagreeable,’ she was going to say, but stopped short) ‘conversation has taken place.’

He paused before he replied. Then, in his habitual coldness of tone, he answered:

Lennox: ‘Of course, as your feelings are so decided, and as this conversation has been so evidently unpleasant to you, it had better not be remembered. That is all very fine in theory, that plan of forgetting whatever is painful, but it will be somewhat difficult for me, at least, to carry it into execution.’

The Hale’s are aided in their search for a new home in Milton by Mr Bell’s tenant John Thornton, a young successful mill owner who has worked his way up from working class to respectable tradesman after the tragic death of his father when he was fifteen. The ladies find Milton smoky and stifling, especially Mrs. Hale and her personal maid Dixon who are always ready to complain about the dirty air, the unsophisticated town and its lowly people. Because of their reduced circumstances and the lack of help in a mill town that can offer higher wages to young girls, Margaret fills in as maid with the household duties. Margaret is happy to help, but her mother is horrified that her daughter, a lady, must work as a menial. To support his family Mr Hale has found work as a tutor. One of his best students is John Thornton who is eager to improve himself and catch up on his education. Mr Hale invites him to tea much to the bemusement of Margaret and Mrs. Hale who are arrogant and cold to him, believing him below their notice. Margaret is outspoken, voicing her opinions to him of Milton, their odd northern customs, and critical of Mr Thornton’s comments about the differences in the south. Margaret thinks he is coarse and harsh with his workers. He thinks she is beautiful and intriguing, but proud and full of airs for someone new, poor and uninformed.

Margaret: ‘That is a great admission,’ said Margaret, laughing. ‘When I see men violent and obstinate in pursuit of their rights, I may safely infer that the master is the same that he is a little ignorant of that spirit which suffereth long, and is kind, and seeketh not her own.’

John: ‘You are just like all strangers who don’t understand the working of our system, Miss Hale,’ said he, hastily. ‘You suppose that our men are puppets of dough, ready to be moulded into any amiable form we please. You forget we have only to do with them for less than a third of their lives; and you seem not to perceive that the duties of a manufacturer are far larger and wider than those merely of an employer of labour: we have a wide commercial character to maintain, which makes us into the great pioneers of civilisation.’

As Margaret begins to acclimate to her new home, she makes friends with Nicolas Higgins, one of the mill workers and his sickly daughter Bessy. They are skeptical of her intentions when she visits and very proud not to take charity. Through them she comes to understand the hard working conditions in the mills and sees the result of their unhealthy environment in Bessy, whose work from a young age has infected her lungs from inhaling the cotton fluff that floats through the factory. Mrs. Hale’s health is also in steady decline and the doctor warns Margaret that there is not much more time before she is gone. Margaret keeps this news to herself and shoulders the burden as she has done to protect each of her parents from bad news. With his urging, John Thornton’s mother begrudgingly makes a social call at the Hales with her daughter Fanny, privately offering her assistance with her mother to Margaret.

Margaret visits Mrs. Thornton at their home next to the mill and finds herself in the middle of a workers strike. Desperate to fill mill orders and keep his business solvent, Mr Thornton has brought in cheaper Irish workers to break the strike and an angry mob has amassed outside the mill ready to riot and kill the blackleg workers in protest. Margaret admonishes Thornton to talk to the crowd and appease their anger.

Margaret: ‘Mr Thornton,’ said Margaret, shaking all over with her passion, ‘go down this instant, if you are not a coward. Go down and face them like a man. Save these poor strangers, whom you have decoyed here. Speak to your workmen as if they were human beings. Speak to them kindly. Don’t let the soldiers come in and cut down poor-creatures who are driven mad. I see one there who is. If you have any courage or noble quality in you, go out and speak to them, man to man.’

But, it is too late. A stone thrown from the crowd intended for Thornton strikes Margaret in the head instead. The crowd is hushed and shocked as Margaret lies on the ground. The army arrives to violently disperse the crowd and Thornton carries the unconscious and bleeding body of Margaret inside. At this moment, he realizes how much he loves her. Against his mother’s wishes, he is compelled to ask her to marry him and visits her at her home the next day. She has recovered enough to be repulsed by his offer and flatly refuse him. He is crushed.

John: ‘One word more. You look as if you thought it tainted you to be loved by me. You cannot avoid it. Nay, I, if I would, cannot cleanse you from it. But I would not, if I could. I have never loved any woman before: my life has been too busy, my thoughts too much absorbed with other things. Now I love, and will love. But do not be afraid of too much expression on my part.’

Of course Gaskell has built up to this moment so beautifully that we are crestfallen by Margaret’s reaction to his admission of love. It is the axis of the novel. She despises him and accuses him of ungentlemanly behavior, the worst insult to throw at a man trying to win the heart of a lady. He is hurt yet dignified in rejection. That is indeed an act of a gentleman that she does not recognize yet.

How these two strong minded and opposing personalities will come together, and we are never in doubt that they will, is one of the most moving and satisfying love stories that I have ever read. Often compared to Jane Austen’s Pride and Prejudice, Gaskell’s North and South parallels many of the same misunderstanding and misconceptions that the two protagonists go through to reach mutual respect and love. This was the first Gaskell novel that I have read, and her style, while more effusive and descriptive than Austen’s was a welcome surprise. Interlaced with this study of the diametric personalities are the differences in the lifestyles from agricultural southern England to the industrial north. Her characterizations were so detailed and real, that I cared deeply about the outcome of each of them. I recommend North and South highly. It will remain one of my cherished novels that I reread regularly. That is the greatest compliment an author can hope for.

This Naxos Audiobooks edition was sensitively read by Clare Willie whose characterizations reminded me of the voices of the actors in the 2004 North and South mini-series. I was so drawn into the story by her melodic intonations that I have never enjoyed my commute to work as much as the 18 hours and 36 minutes during this audio book recording. Gaskell’s powerful story of the division of workers and master told through the eyes of a haughty girl from the south of England who is thrown against her wishes and better judgment by her father’s life choices into a foreign world of the working class struggles of a northern mill owner is her most beloved work for good reason. Margaret Hale and John Thornton are a romance to remember and savor again, and again.



Francine Levitov
Sound Commentary, August 2010

When Margaret Hale’s father has a crisis of faith and questions his vocation as a cleric, he renounces the Church and moves his wife and daughter from sophisticated southern England to the industrialized north. Margaret is a beauty, but her imposing looks and her haughty, mannered formality, so appropriate for her former social set, doesn’t endear her to the people in her new community. Nor does the community please Margaret, who finds the townspeople ignorant and coarse, especially John Thornton, the prosperous local mill owner, to whom her father becomes a friend, tutor and mentor. However, as time goes on Margaret discovers in herself a surprising strain of social activism and becomes concerned about the plight of the mill workers and determined to help improve their lot. That throws her initially into personal and ideological conflict with Thornton, until the two find a middle ground in which respect and love can bloom and grow.

A highly political 19th Century novel, yet a gentle love story, the book boasts a female protagonist who is far ahead of her time. Margaret is no shrinking violet in an English drawing room, but one who literally places her life on the line in the struggle between labor and management in a fiercely heated strike.

Reader Claire Wille makes her audiobook debut with a sensitive fully-vocalized, well-paced rendition of the novel. Both literally and figuratively, listeners will want to hear more of her.






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