John J. Puccio
, August 2011
With Hungarian conductor Antal Dorati leading the Royal Concertgebouw Orchestra in Newton Classics’ current reissued Philips recording, we get spirited, red-blooded accounts of all six episodes of the score, with plenty of color and characterization. The performances perhaps lack something of the subtlety and stylishness of several rival versions, like those from Neumann (Berlin Classics), Kubelik (Supraphon), Berglund (EMI), Pesek (Virgin), and Wit (Naxos), but Dorati’s energy, vivaciousness, animation, and warmth more than make up for any minor concerns.
Originally recorded by Philips in 1986 and issued by them on a single CD, the 2011 reissued Newton Classics edition spreads Ma Vlast over two discs to good effect. As we might expect from a Philips recording of the Concertgebouw Orchestra, it’s quite realistic, capturing the spacious hall acoustic without sacrificing too much detail or definition. The sound is wide, deep, and expansive, with fine dynamics, adequate bass and highs, and a midrange well balanced with the extremes. While the sound is not completely transparent, with a slightly reverberant overall effect, it is quite natural and welcome.