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Christopher Huss
Le Devoir, February 2010

Le défi d’aujourd’hui est d’écrire un concerto « pour »—et non « contre »—un instrument. C’est pour cette raison que je n’adhère pas au Concerto pour violon d’Unsuk Chin, promu par Kent Nagano. Lindberg, contrairement à Connesson (qui cherche à séduire), a écrit une oeuvre rude qui, loin des tendances planantes de l’é-poque, réussit à ouvrir des horizons sonores. Par sa richesse et ses contrastes, c’est l’un des grands concertos d’une décennie qui n’en manque pas.

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3:37:39 AM, 5 September 2015
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