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FIRST RECORDINGS
DISC 17
18 4 Bagatelles, WoO 213: No. 3 in A flat major
(ed. A. W. Holsbergen, b. 1957)
29 Menuett in B flat major, Hess 331
(1799) (reconstructed by A. W. Holsbergen)
DISC 32
2 Sketch in A major, Hess 60
(1818) (transcribed by A. Schmitz, 1893–1980)
6 Sketches in C major and G major, Bla. 276
(c. 1800) (reconstructed by A. W. Holsbergen, b. 1957)
8 Fragment in A major producing effect of Horns,
Bia. 268 (1793) (reconstructed by A.W. Holsbergen)
12 Sketch in F major, Bia. 273
(1793) (reconstructed by A.W. Holsbergen)
16 Sketch for Piano Sonata in A minor, Bia. 318
(1802) (reconstructed by A.W. Holsbergen)
26 March in C minor, Hess 330
(1804) (reconstructed by A.W. Holsbergen)
35 Intermezzo for Sonata in C minor, Bia. 191
(possible sketches for Piano Sonata No. 5 or No. 8)
(1798–99) (reconstructed by A.W. Holsbergen)
37 Andante in B flat major, Bia. 272
(1793) (reconstructed by A.W. Holsbergen)
DISC 34
13 Pastorella in C major, Bia. 622 (1815) (transcribed by F. Rovelli, b. 1979)
33 Melody in C minor, Hess 324
(1802) (reconstructed by A.W. Holsbergen, b. 1957)
DISC 42
13 Piano Trio in F minor, Bia. 637
(1816) (fragments transcribed by N. Marston, b. 1958)
DISC 72
  Die Ruinen von Athen, Op. 113 (‘The Ruins of Athens’)
(1811) – of version with narration
DISC 88
20 Opferlied, Hess 145
(sketch of 1st setting, WoO 126, version for voice and piano) (1796)
24 6 Songs, Op. 48: No. 3. Vom Tode (1st version) (1798–99)
DISC 90
1 Herr Graf, ich komme zu fragen, WoO 221, Hess 276
(c. 1796–97) (arr. T. Holmes, b. 1965, for choir and piano)
13 Ich küsse Sie, WoO 169, Hess 250 (1816) (arr. T. Holmes for voice and choir)
14 Ars longa, vita brevis, WoO 170, Hess 251
(1815/16) (arr. T. Holmes for choir)
51 Signor Abate!, WoO 178 (c. 1820) (arr. T. Holmes for choir and piano)
54 Ich bin bereit! – Amen, WoO 201, Hess 282
(after 1818) (arr. T. Holmes for choir)


FIRST RECORDINGS

DISC 17
18 4 Bagatelles, WoO 213: No. 3 in A flat major
(ed. A. W. Holsbergen, b. 1957)
29 Menuett in B flat major, Hess 331
(1799) (reconstructed by A. W. Holsbergen)
DISC 32
2 Sketch in A major, Hess 60
(1818) (transcribed by A. Schmitz, 1893–1980)
6 Sketches in C major and G major, Bla. 276
(c. 1800) (reconstructed by A. W. Holsbergen, b. 1957)
8 Fragment in A major producing effect of Horns,
Bia. 268 (1793) (reconstructed by A.W. Holsbergen)
12 Sketch in F major, Bia. 273
(1793) (reconstructed by A.W. Holsbergen)
16 Sketch for Piano Sonata in A minor, Bia. 318
(1802) (reconstructed by A.W. Holsbergen)
26 March in C minor, Hess 330
(1804) (reconstructed by A.W. Holsbergen)
35 Intermezzo for Sonata in C minor, Bia. 191
(possible sketches for Piano Sonata No. 5 or No. 8)
(1798–99) (reconstructed by A.W. Holsbergen)
37 Andante in B flat major, Bia. 272
(1793) (reconstructed by A.W. Holsbergen)
DISC 34
13 Pastorella in C major, Bia. 622 (1815) (transcribed by F. Rovelli, b. 1979)
33 Melody in C minor, Hess 324
(1802) (reconstructed by A.W. Holsbergen, b. 1957)
DISC 42
13 Piano Trio in F minor, Bia. 637
(1816) (fragments transcribed by N. Marston, b. 1958)
DISC 72
  Die Ruinen von Athen, Op. 113 (‘The Ruins of Athens’)
(1811) – of version with narration
DISC 88
20 Opferlied, Hess 145
(sketch of 1st setting, WoO 126, version for voice and piano) (1796)
24 6 Songs, Op. 48: No. 3. Vom Tode (1st version) (1798–99)
DISC 90
1 Herr Graf, ich komme zu fragen, WoO 221, Hess 276
(c. 1796–97) (arr. T. Holmes, b. 1965, for choir and piano)
13 Ich küsse Sie, WoO 169, Hess 250 (1816) (arr. T. Holmes for voice and choir)
14 Ars longa, vita brevis, WoO 170, Hess 251
(1815/16) (arr. T. Holmes for choir)
51 Signor Abate!, WoO 178 (c. 1820) (arr. T. Holmes for choir and piano)
54 Ich bin bereit! – Amen, WoO 201, Hess 282
(after 1818) (arr. T. Holmes for choir)
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