JOSÉ VIANA DA MOTA (1868–1948)

FANTASIESTÜCK • ZWEI KLAVIERSTÜCKE NACH
A. BÖCKLIN • CINCO RAPSÓDIAS PORTUGUESAS


JOÃO COSTA FERREIRA

“It was a great pleasure for me to confront the challenge of Viana de Mota's pianistic virtuosity in this album. My own Portuguese origins helped me to understand and to interpret the many different and complex emotions expressed in these piano compositions influenced by the German tradition and the discovery of Portuguese folk music.”

João Costa Ferreira

Listen to an excerpt from
Portuguese Rhapsody No. 1 in G Major, ‘Fados’
VIANNA DA MOTTA, J.: Fantasiestück / 2 Klavierstücke nach A. Böcklin / 5 Rapsódias Portuguesas
GP742
José Viana da Mota
JOSÉ VIANA DA MOTA
(1868–1948)

About this Recording

Among the first works composed in Berlin by the young José Viana da Mota were the Fantasiestück, Op. 2, brimming with Schumannesque cantabile, and the more fiery, Liszt-inspired Zwei Klavierstücke nach A. Böcklin. Written when the composer had established himself as one of the great virtuoso pianists of the Liszt school, the Rapsódias Portuguesas draw upon native fado tunes, religious and love songs and children’s round dances to create a vivid and idealised mosaic of Portuguese national identity.

VIANNA DA MOTTA, J.: Fantasiestück / 2 Klavierstücke nach A. Böcklin / 5 Rapsódias Portuguesas
1
FANTASIESTÜCK, OP. 2 (1885) (07:29)
ZWEI KLAVIERSTÜCKE NACH A. BÖCKLIN (1891) * (09:07)
2
No. 1. Meeresidylle (‘Sea Idyll’) (04:48)
3
No. 2. Im Spiel der Wellen (‘The Play of the Waves’) (04:19)
CINCO RAPSÓDIAS PORTUGUESAS (1891; 1894–95) * (41:46)
4
No. 1 in G major, ‘Fados’ (11:28)
5
No. 2 in A major (06:21)
6
No. 3 in D major (07:28)
7
No. 4 in A flat major, ‘Evening Prayer’ (07:00)
8
No. 5 in F major, ‘Saint John’s Day’ (09:09)
* WORLD PREMIÈRE RECORDING

TOTAL PLAYING TIME: 58:29

JOÃO COSTA FERREIRA

JOÃO COSTA FERREIRA

Portuguese pianist João Costa Ferreira (b. 1986) holds the prestigious Diplôme Supérieur d’Exécution of the École Normale de Musique de Paris–Alfred Cortot, and graduated with a master in music and musicology from the Paris-Sorbonne University and has started a doctoral programme there with a scholarship from the Fundação para a Ciência e a Tecnologia to study the composition, technique and interpretation of José Viana da Mota’s piano works. João Costa Ferreira has won several prizes, notably the 2nd prize in the XVth Maria Campina International Piano Competition (a 1st prize was not awarded), and the first ‘Musicology’ prize at the 8th Jeunes solistes de la Sorbonne Competition.

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