REINVENTIONS

RHAPSODIES FOR PIANO


Composed and Performed by TANYA EKANAYAKA

“My music is my diary, through which I share and re-live specific moments of my life. The works featured in this, my debut album, evolved spontaneously in Edinburgh between 2010 and 2014 while I was at the piano. While deeply autobiographical, each work also presents a blend of two musical domains. These domains have fascinated me for many years although their combined presence in my works is something I only became aware of recently. Specifically, I perceive connectivity between other works of a concert programme deriving from their respective tonal centres, while the indigenous musics of my homeland Sri Lanka are integral to my being. As such, each work in this album may also be seen as re-presenting my indigenous culture while seeking to highlight connectivity between the different works of a concert programme in which the work might be incorporated.” – Tanya Ekanayaka

Listen to an extract from Adahas: Of Wings Of Roots

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TANYA EKANAYAKA

About this Recording

Tanya Ekanayaka is one of Sri Lanka’s foremost pianists and an internationally acclaimed composer. Her ‘deeply autobiographical’ piano compositions, or reinventions, introduce a novel and hybrid musical genre that takes a wide variety of Sri Lankan melodies – ancient, folk and popular – and blends them with motifs inspired by the tonal centres of established classical compositions by Bach, Beethoven, Ravel and others.

1 ADAHAS: OF WINGS OF ROOTS (04:18)

2 DEW ENCOUNTERS: OF SCOTTISH WALKS,
   VANNAM (UDARA) & SRI LANKA’S BUGS BUNNY
(04:29)

3 DHAIVAYA: ALTER(ING) HUE (10:25)

4 VANNAM (GAJAGA, MAYURA & HANUMA) & YOU (09:52)

5 IN LOTUS: OLU PIPILA WITH MOMENT (06:01)

6 LABYRINTH; VANNAM LENT (05:52)

7 2013/14 JUNE ECHOES (15:18)

TOTAL TIME: 56:16

TANYA EKANAYAKA

Tanya Ekanayaka is one of Sri Lanka’s foremost and acclaimed pianist-composers. Classically trained and with a background in Asian and Popular music, she is also a musicologist and linguist. She began studying the piano at the age of five, her mother, Indira Ekanayaka, instructing her through methods she describes as ‘experimental’ and ‘unintrusive’. She then went on to study under Bridget Halpé and subsequently benefitted from guidance by Colin Kingsley, John Kitchen, Raymond Monelle, Peter Nelson, Nigel Osborne, Jonathan Pasternack and Robin Zebaida'.

She made her début recital at the age of 12, performed her first concerto at 16 with the Symphony Orchestra of Sri Lanka as joint winner of the their biennial concerto competition, and has since performed in notable venues in Europe, the United States and Asia. She has been on the part-time teaching faculty of Edinburgh University since 2007 where she has taught in its departments of Linguistics and Music.

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