LEOPOLD KOŽELUCH (1747–1818)

COMPLETE KEYBOARD SONATAS • 8


KEMP ENGLISH

For forty years the Bohemian composer Leopold Koželuch produced a sequence of keyboard sonatas that some commentators preferred to those of his great contemporary, Mozart. The four sonatas on Volume 8 exemplify Koželuch’s vitality and expressive breadth. Sonatas Nos. 31 and 32, published in the year of Mozart’s death, are notable for their exploration of new technical devices and a daring harmonic palette worthy of Clementi.

Listen to an excerpt from
Piano Sonata in F major, Op. 35, No. 1, P. XII:32: III. Rondeau: Allegretto
GP732

LEOPOLD KOŽELUCH
(1747–1818)

About this Recording

For forty years the Bohemian composer Leopold Koželuch produced a sequence of keyboard sonatas that some commentators preferred to those of his great contemporary, Mozart. The four sonatas on Volume 8 exemplify Koželuch’s vitality and expressive breadth. Sonatas Nos. 31 and 32, published in the year of Mozart’s death, are notable for their exploration of new technical devices and a daring harmonic palette worthy of Clementi.

PIANO SONATA NO. 29 IN G MAJOR, OP. 30, NO. 2, P. XII: 30 (1789)
1
I. Allegro (07:47)
2
II. Andante (02:46)
3
III. Rondeau: Allegretto (05:37)
PIANO SONATA NO. 30 IN C MINOR, OP. 30, NO. 3, P. XII: 31 (1789)
4
I. Largo – Allegro – Largo (10:58)
5
II. Rondeau: Allegretto (05:42)
PIANO SONATA NO. 31 IN F MAJOR, OP. 35, NO. 1, P. XII: 32 (1791)
6
I. Allegro (07:35)
7
II. Adagio (02:48)
8
III. Rondeau: Allegretto (06:29)
PIANO SONATA NO. 32 IN A MAJOR, OP. 35, NO. 2, P. XII: 33 (1791)
9
I. Allegro (09:28)
10
II. Adagio (04:31)
11
III. Rondo: Allegro (05:26)
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TOTAL TIME: 69:07

KEMP ENGLISH

Kemp English is one of New Zealand’s leading concert performers. Much in demand as a solo organist, collaborative pianist, and specialist fortepiano exponent, he relishes the opportunity to work in a diverse array of styles and periods. He enjoyed a distinguished studentship at the Royal Academy of Music in London and later completed a Master of Arts degree in Music Performance at the University of York. In 2001 he was elected an Associate of the Royal Academy of Music – an honour recognising former students of the Academy who have achieved distinction in the profession.

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