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With 8 February marking the start of the Chinese New Year 2016, we present a selection of music that has its roots in the world's most populous country: from ethnic sounds to reflections on nature to snapshots of politics – what follows is just a small sample from the Naxos catalogue that illustrates China's increasing presence and influence in the world of classical music.

New Rereleases of Chinese Orchestral Music

Marco Polo 8.225826
Various composers

  Listen to an extract from
Li Huan Zhi's
Spring Festival Overture

Marco Polo 8.225827
Various composers

  Listen to an extract from
Du Mingxin's The Mermaid Suite:
Coral Dance

Marco Polo 8.225828
Du Mingxin

  Listen to an extract from
Du Mingxin's Symphony, "The Great Wall":
III. Spirit: Locking the Mountains

Marco Polo 8.225829
Various composers

  Listen to an extract from
Chen Gexin's
Rose, Rose, I love you

Marco Polo 8.225830
Huang An-Lun

  Listen to an extract from
Huang An-Lun's Piano Concerto in G minor:
III. Allegro

Marco Polo 8.225831
Ding Shande

  Listen to an extract from
Ding Shande's Long March Symphony:
V. Triumphant Junction

Marco Polo 8.225832
Du Mingxin

  Listen to an extract from
Du Mingxin's Violin Concerto
No. 1:
III. Allegro - Vivo

Chinese Contemporary Artists

Chinese Composers in America

Naxos 8.570610
SHENG, Bright: Blazing Mirage (The) / The Song and Dance of Tears / Colors of Crimson
Hong Kong Philharmonic, Bright Sheng

In 2000 Bright Sheng collected music from the remote mountains and deserts along the ancient Silk Road in China. The Song and Dance of Tears combines Chinese and Western sonorities in an evocation of the deep emotional impressions made on him by the beautiful music of that region. Colors of Crimson expands the timbre of the solo marimba through a fascinating spectrum of orchestral effects, while the skilful fusion of Chinese and Central Asian classical and folk music in The Blazing Mirage was inspired by the miraculously preserved artistic and cultural treasures of the Dunhuang Caves.

Naxos 8.559610
SHENG, Bright: Phoenix (The) / Red Silk Dance / Tibetan Swing / H'un (Lacerations)
Bright Sheng, Seattle Symphony, Gerard Schwarz

The Phoenix, co-commissioned by the Seattle Symphony and Danish National Symphony Orchestra, was inspired by a Hans Christian Andersen tale, the mythical bird symbolizing for Chinese-American composer Bright Sheng “the muse of all peoples.” Aggressive fervor seeks meditative peace in H’un: In memoriam 1966–1976, hailed by The New YorkTimes as “a searing portrait of the Cultural Revolution in China…deeply affecting.” Sheng’s exquisite Spring Dreams, Three Fantasias and Tibetan Dance are available on Naxos 8.570601. China Dreams and Nanking Nanking can be heard on Naxos 8.555866.

Listen to the podcast The Phoenix and The Composer:
Naxos 8.570609
GE, Gan-Ru: Shanghai Reminiscences / Butterfly Overture
Royal Scottish National Orchestra, Tsung Yeh

Born in Shanghai, now resident in Greater New York, Ge Gan-ru is one of China’s foremost composers. Very different from his previous exploration of the Western avant-garde, Shanghai Reminiscences is a warm and affecting evocation of “the street scenes and sounds” of Gan-ru’s childhood in pre-Cultural Revolution Shanghai, viewed through the lens of his adopted American traditions. Butterfly Overture is the composer’s symphonic tribute to a beloved teacher from his Shanghai Conservatory days. International Record Review described Ge Gan-ru’s string quartets (8.570603) as “Nothing short of contemporary masterpieces”.

Naxos 8.572838
CHEN, Yi: Suite for Cello and Chamber Winds / KC Capriccio / Feng / Tu
Enyeart, Texas Tech University Symphonic Wind Ensemble, McKoin

Chinese American composer Chen Yi brings a unique compositional voice to the wind ensemble by fusing the traditions and sounds of the East with those of her adopted West. This collection of world première recordings ranges from the first wind quintet of 1987, inspired by the booming tide of Chaoyin Cave in Southeastern China, to the Suite for Cello and Chamber Winds of 2004 in which Chen borrows extensively from folk-tunes, Chinese percussion, stringed, and wind instruments. The exuberant KC Capriccio contrasts with the gripping intensity of Tu, which is dedicated to the victims of the 9/11 tragedy.

Naxos 8.570608
TAN, Dun: Symphonic Poem of 3 Notes / Orchestral Theatre / Concerto for Orchestra (after Marco Polo)
Hong Kong Philharmonic, Tan Dun

The multifaceted and multi-award winner Tan Dun has made an indelible mark on the world music scene with a creative repertoire that spans the boundaries of classical music. The Symphonic Poem on Three Notes describes an evolutionary arc from nature through industry and back to nature, the traditional orchestra augmented with a range of unorthodox sound sources such as wind, stones and car brake drums. The drama of Orchestral Theatre centres on memories of ritual from the composer’s childhood, linking folk music styles to Western atonality, while the Concerto for Orchestra describes the exoticism of Marco Polo’s geographical, musical and spiritual journeys.

Listen to the podcast of Tan Dun in conversation with Gail Wein:

Naxos 8.570604
ZHOU, Long: Su / Pianogongs / Taiping Drum / Wild Grass / Taigu Rhyme / CHEN, Yi: Monologue / Chinese Ancient Dances
Beijing New Music Ensemble, Eli Marshall

Trained side-by-side in Beijing at the Central Conservatory, and in New York at Columbia University, Chen Yi, the first woman to receive a master’s degree in composition in China, and Zhou Long are now partners on the faculty at the University of Missouri—Kansas City. Despite the close ties, their compositions enjoy distinct identities, frequently bringing into fascinating juxtaposition Western and Eastern instruments as well as traditional and contemporary compositional techniques. The Beijing New Music Ensemble is the only independent music ensemble dedicated to new music in China. This is its début recording.

China, Opera and Ballet

Naxos 8.669022-24
ADAMS, J.: Nixon in China
Robert Orth, Maria Kanyova, Thomas Hammons,Marc Heller, Opera Colorado Chorus, Colorado Symphony Orchestra, Marin Alsop

A longtime collaborator of John Adams and champion of his music, Marin Alsop directs this live recording of Opera Colorado’s 25th Anniversary Celebration production of Nixon in China, presented at Denver’s new Ellie Caulkins Opera House during the 2008 National Performing Arts Convention, and featuring an internationally recognized cast. Alice Goodman’s epic libretto and John Adams’s distinctive music weave together a colorful fabric of actual events from President Nixon’s historic visit to the People’s Republic of China with intimate examinations of the opera’s real life characters. The spectacle, drama, humor and pathos of this masterpiece remain as compelling today as when the opera was premièred in 1987.


Naxos 8.660089-90
PUCCINI: Turandot

Marco Polo 8.018-19
Red Detachment of Women

Traditional Chinese Music

Marco Polo 8.225929
CHINA Chen Jun: Erhu Classics
Middle Kingdom 8.828001
CHINA Pipa Classics

Middle Kingdom 8.828002
CHINA Zheng Classics
Middle Kingdom 8.828009
Suona Classics

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