About this Recording
82001 - LIU, Y.: Legend of Shadi-er
English 

The Legend of Shadi-er
Shadi-er was a member of the Weiwuer people of Xinjiang during the Qing dynasty (A.D. 1644-1911). Although illiterate, he was an excellent composer and singer of folk-song, using this art as a weapon against the Qing government. His popularity in Xinjiang aroused the fears of the central government and he was eventually killed, although his death did nothing to diminish his popularity. His songs are still current today.

Fishermen's Song of Lake Shenyang
Fishermen's Song of Lake Shenyang expresses joy at a good catch and the beauty of the scene, as hundreds of junks are seen in the red glow of dawn.

Yinchang
Borrowing material from the folk-music of Anhui Province, the composer attempts to depict here a festival market. The form of the music resembles an intermezzo or overture in a traditional opera. It begins with the sound of the suona (Chinese oboe), imitating the laughter of the people. Most of the instruments used are of high pitch, including the dizi (Chinese flute), sheng (Chinese mouth-organ), erhu and gaohu (Chinese two-string fiddles), with the obligatory percussion that adds to the folk character of the music.

Three Movements in Jiangsi style

I. Spring
Spring expresses the innocence of human nature, resilient rhythmic patterns emerging from less well defined surroundings. There is a central romance, followed by the reappearance of the lively opening theme.

II. Nanci
The slow movement is tragic and desolate in mood, questioning, as it reaches its climax, the meaning of life and fate, and ending with open chords.

III. Parting
Parting is a solemn melody, which appears in the strings, without vibrato. An erhu melody shows the parting of a mother and her son and the theme is repeated by the zhonghu (Chinese bowed instrument of middle range), hoarsely expressive of grief.

Reflection of the Moon on Erquan

(adapted from the original composition by Hua Yanhun)

Originally a piece for solo erhu, Reflection of the Moon on Erquan, depicts the hardships and misery of the blind musician's life. Erquan, which means the second best water-spring in China, is found in the composer's home-town, Wuxi.


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