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Thomas Meglioranza was a winner of the 2005 Walter W. Naumburg Competition, the 2003 Franz Schubert/Modern Music Competition in Graz, the 2002 Concert Artists Guild Competition, and the 2002 Joy in Singing Award. Recent engagements include John Harbison’s Fifth Symphony with Leonard Slatkin and the Boston Symphony, the Messiah with the Minnesota Orchestra, Schoenberg’s Ode to Napoleon Buonaparte with Peter Serkin and the Brentano Quartet, Copland’s Old American Songs with the National Symphony, Roberto Sierra’s Missa Latina with the Houston Symphony, Peter Maxwell Davies’ Eight Songs for a Mad King with the Los Angeles Philharmonic, and Virgil Thomson songs with the Boston Modern Orchestra Project.

An “immaculate and inventive recitalist” (The New Yorker), he made his Wigmore Hall début last year, and has appeared in recital throughout the world. His portrayal of Prior Walter in the North American première of Peter Eötvös’s Angels in America with Opera Boston was described as “immensely touching” (Boston Globe), and he recently created the title rôle in Gordon Chin’s Mackay: The Black Bearded Bible Man in Taipei. Other opera performances include Chou En-lai in Nixon in China with Opera Boston. He is a graduate of Grinnell College and the Eastman School of Music.

Role: Classical Artist 
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