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Richard Sininger
American Record Guide, September 2015

Musically, the production is quite fine. In the title role Ann Murray proves that she can sing any of the showy arias Handel wrote.

Under Ivor Bolton, the orchestra, chorus, and dancers acquit themselves well. All in all, a good performance… © 2015 American Record Guide Read complete review on American Record Guide



Joanne Sydney Lessner
Opera News, August 2015

Despite the demands Alden places on his singers, they are all game players. Most enjoyable is Lesley Garrett, who gives depth and real pathos to Dalinda and projects a consistently beautiful soprano. Christopher Robson offers an unfussy countertenor and plenty of scenery (and people) chewing as Polinesso, while tenor Paul Nilon is a clear-toned, valiant Lurcanio, loyal admirer of the treacherous Dalinda. © 2015 Opera News Read complete review



Hans de Groot
The WholeNote, April 2015

…Ivor Bolton, is very good and there is some fine singing from Ann Murray and Joan Rodgers, from Lesley Garrett and Gwynne Howell. © 2015 The WholeNote Read complete review





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