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George W. Harris
Jazz Weekly, January 2015

The first set has Scott with a sensitive team of Horst Jankowski, Peter Witte and Hermann Mutschler and they serve Scott amazingly well. Scott’s got a sweet chocolaty tone that is rich in ebullience, and glows in the dark on “Moonlight In Vermont” while goes moody on a soft “You Go To My Head.” He shows his bop chops on a fiery “Lover Come Back to Me” which is filled with E ticket thrills, and a hip “Blues” is followed by an air raid attack of “A Night in Tunisia.” WOW

The Singapore gig has a different band… What’s constant is Scott’s indefatigable chops, which sizzles on “ All The Things you Are” and moans like a wimpering coyote on”Blues For Charlie Parker.” This is a guy that makes wood sound like Waterford Crystal. Get a hold of it! © 2015 Jazz Weekly Read complete review





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