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George Dorris
Ballet Review, September 2015

The dancers and musicians are constantly in motion, running on and off the stage and often interacting with each other. The movement is lively, with elements of breakdance and voguing, with only occasional suggestions of dramatic action, while the animals and the Maenads, along with much else, are only on the screen. It’s a kind of controlled chaos centered around Aïche and Randé. © 2015 Ballet Review





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