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Jens F. Laurson
Ionarts, December 2016

…Harnoncourt’s performance of La Clemenza di Tito and his cast are mind-bogglingly good and Martin Kušej’s production is, pace the traditionalists, such a stroke of genius (aided by his actresses, especially by Vesselina Kasarova, Dorothea Röschmann, and the young Elīna Garanča) that it makes dramatically compelling sense out of the otherwise hard-to-pull-off libretto. © 2016 Ionarts Read complete review





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