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Carla Maria Verdino-Süllwold
Fanfare, May 2015

Harnoncourt imposes his signature transparent yet textured interpretations on the orchestra, which plays with passion, clarity, and drama. His readings of both scores are fleet and taut; his tempos range from moderate to slightly frenetic, especially in his propulsive approach to Don Giovanni, and he allows the singers a certain amount of rubato, particularly in the recitatives, which works well for the Regie. © 2015 Fanfare Read complete review

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