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Lynn René Bayley
Fanfare, November 2015

Gulda…plays Mozart with real backbone and feeling, as a precursor to Beethoven rather than as a composer who wrote for spineless fortepianos that could barely tinkle out their notes. …Dennerlein’s hand-foot coordination and specifically her pedal technique defy belief; she can do things on the instrument that other organists can only dream of. Here she has a perfect foil in the demanding yet idolizing Gulda. …Her pedal work is extraordinary—all aspiring jazz organists, please take note! © 2015 Fanfare Read complete review





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