[Thomas Allen’s] voice is totally secure, a power-blast when needed, set-square enunciation with natural yet extraordinary and intelligently acted delivery.
The choir are there throughout the concert as an appreciative component of the audience. The [Violin] Concerto receives a stunning performance at all levels. …Chung at the start of the third movement delivers some satisfyingly guttural rasps. She is caught at her quicksilver zenith; rejoice indeed.