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Raymond Tuttle
Fanfare, November 2009

Unsurprisingly, d’Indy’s youthful “Italian” Symphony evokes Mendelssohn’s eponymous opus, albeit from a French perspective. The much later Concerto is no less fresh, with neo-Baroque and neo-Classical flavorings. This is the art that conceals art. © 2009 Fanfare Read complete review

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