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Andrew Mellor
Gramophone, August 2016

It’s remarkable that Sørensen’s spatial ‘concerto for orchestra, choir, actors and audience’, which calls for actors and singers planted throughout the audience of a vineyard concert hall (where everyone can see everyone else) has transferred so well to CD. Sørensen pulls off a characteristic trick here: doing new, unusual and surprising things that manage entirely to avoid gimmickry. © 2016 Gramophone

Dominy Clements
MusicWeb International, March 2016

There is more spaciousness and atmosphere in the music of Sounds Like You when compared to the more compressed and intense Intermezzi, but the sonorities and musical interest is every bit at the same high level. …Public and performance become fluid and almost interactive, with the chorus placed throughout the auditorium and ‘becoming’ the audience… Everything is subtly integrated and nothing is wasted, with form, flow and expressive shape all carrying us through a strange and not always comfortable world, but one in which we linger with singular delight. © 2016 MusicWeb International Read complete review

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