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Rob Maynard
MusicWeb International, April 2017

The quality of the dancing is, I’m pleased to say, uniformly high. The two principals, Kimberly van Woesik and Christopher Bloom, have been well cast, are technically highly proficient and interact well together. While the choreography of the piece is angular and often abrupt rather than flowing and overtly beautiful, this isn’t one of those modern productions that will frighten the horses—and it certainly doesn’t seem to faze the enthusiastic Arizona audience. © 2017 MusicWeb International Read complete review

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