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Album Reviews

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Mortimer H. Frank
Fanfare, November 2009

These new Marc Obert-Thorn’s transfers score over their predecessors by virtue of their greater smoothness, fullness, and inclusiveness.

Terry Teachout
Commentary Magazine, February 2003

"Beethoven figured more prominently in Arturo Toscanini's working repertoire than any other composer, and Toscanini's recording with the New York Philharmonic of the Seventh Symphony is a near-definitive interpretation. No other performance of this "apotheosis of the dance" (as Richard Wagner called it) has such irresistible forward momentum, and none is so virtuosically played."

Rob Cowan
Gramophone, February 2002

"Mark Obert-Thorn has done a first-rate job with the sound, focusing the orchestra's whispered pianissimos while keeping surface noise to a workable minimum."

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