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Michael Liebowitz, June 2002

"Rarely performed or recorded, this concerto nonetheless is stirring and evocative of Schumann's broader orchestral writing, and Menuhin's first-rate account (with an especially intense orchestral accompaniment in the first movement) is far more traditional and effective in conception than the more recent "experimental" thoughts offered by Kremer and Harnoncourt on Teldec, with their distended tempos."

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