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Robert Carl
Fanfare, November 2006

This collection is entirely of works featuring harp, either as soloist or in an ensemble. Several were written in collaboration with Rehling. While each work has a distinct personality, it’s more fruitful to describe certain core practices of Nørgård’s that emerge through listening, rather than attempt a work-by-work exegesis.

The sound is gorgeous and the playing ideally attuned to the mix of rigor and play that distinguishes Nørgård’s work. © 2006 Fanfare Read complete review





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