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David Hurwitz, September 2016

Tom Beghin is one of the true keyboard geniuses among performers on period instruments. Here he has chosen seven gorgeous-sounding instruments—harpsichords, clavichords, and fortepianos—to present all of Haydn’s keyboard music in superlative performances, recorded to simulate the acoustics of nine rooms in which they might have been performed.

Beghin is a fearless artist who plays with a classicist’s feel for tonal architecture and a romantic’s feel for freedom of phrasing and expressive emphasis. © 2016 Read complete review

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