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Penguin Guide, January 2009

These are delightful performances, fully capturing the innocent charm of these youthful symphonies. Michael Halász is most sensitive, and in the Allegretto second movement of No. 3 his style is Beechamesque in its affectionate elegance. The economy of Schubert’s scoring means that the resonant acoustic affects the clarity of the tuttis only marginally and it certainly lends an attractive bloom to the proceedings.

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