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Michael Jameson, July 2002

"Listen, for example, to how subtly she handles the many unconventional tonal effects in the piece. The first movement's plucked glissandos slither and crawl around the fingerboard with complete freedom, and I also admired the sense of mystery and ghostliness in the way Vassilieva muses over the quotations from Bartok's Music for Strings, Percussion, and Celesta."

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